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Added on: 2014-12-27 18:32:15 Total Views: 10,788
Description: (Mohanlal )Malayalam Action Movie 1080 Thriller Movie Family Entertainment Movie 1080 HD Subscribe My Chanel : http://bit.ly/2rqmGMg Devasuram (Malayalam: ദേവാസുരം; English: God and Demon) is a 1993 Indian Malayalam-language drama film directed by I. V. Sasi and written by Ranjith. It stars Mohanlal, Revathi, Nedumudi Venu, Innocent, Napoleon, V. K. Sreeraman, Manian Pillai Raju, and Augustine. The songs featured in the film are composed by M. G. Radhakrishnan, while S. P. Venkatesh composed the background score. The rivalry between Mangalassery Neelakantan (Mohanlal) and Mundakkal Shekaran (Napoleon) forms the main theme of the film. The character Neelakandan was created by Ranjith based on a real-life person named Mullasserry Rajagopal who died in 2002.[1] Devasuram is one of the highest-grossing Malayalam films of the 1990s. It is generally considered as one of the best films of Mohanlal's and IV Sasi's careers.[2] The film ran for more than 150 days in the cinemas.[3] It was followed by a sequel Ravanaprabhu (2001), which was writer Ranjith's directorial debut. The film was remade in Telugu the same year as Kunti Putrudu with Mohan Babu and Vijayashanti playing the lead roles. Neelakantan (Mohanlal) is the spoilt heir to the well-known Mangalassery family. He squanders away his father's largess and good name but is loved by the people who know him well. He has been the arch-rival of Shekaran of the Mundakkal family since childhood. During a minor ruckus, one of Neelakantan's aides accidentally kills Shekaran's uncle (Janardanan). This incites Shekaran to plan to avenge the death of his uncle. Meanwhile, Neelakantan offends Bhanumathi (Revathi), a talented Bharata Natyam dance graduate, by forcing her to dance in front of him in his house. In retaliation, Bhanumathi quits dancing and curses Neelakantan for desecrating the art so dear to her. Later he feels regretful and helps her family in many ways and tries to persuade Bhanumathi to take up dancing again, but she doesn't budge. . Neelakantan tries to forget all the past events and his rivalry with Shekaran, but Shekaran is not satisfied and wants to defeat Neelakantan in front of the whole village. For this, he kidnaps Bhanumathi and forces Neelakantan to take blows in front of the public during a village festival organized by the Mundakkal family. Meanwhile, Neelakantan's friends rescue Bhanumathi and after this Neelakantan mauls Shekaran badly and cuts off Shekaran's right hand, claiming "Shekeran, I want to live peacefully..." so that he will not again come up with revenge later. However, while severing shekharan's right-hand neelakandan uses the backside of the sword which shows the agony and power he had. The protagonist Mangalaserry Neelakandan (Mohanlal) is a real-life character sketch of Mullasserry Rajagopal (died 2002).[4] Supposedly, some notable scenes in Devasuram are real-life incidents. Varikassery Mana near Ottappalam was selected to portray the ancient Mangalaserry house. "It was only after Devasuram became a hit that producers and directors began to queue up for this location. Until then only one film was shot here," says Murali, one of the managers of the mana.[5]. The action-packed climax scene of the movie was shot entirely in Pariyanampatta Bhagavathi Temple Mullasserry Rajagopal is known as an ardent music lover. "Music was the sole passion in his life. He was a good friend of mine, but we never discussed literature; we talked mainly about music and films," said renowned author MT Vasudevan Nair. MT was impressed by the way Rajagopal reacted to the setbacks in his life. "I was even more impressed by the way how his wife, Lakshmi, devoted her life to him; he would not have survived but for her."[4] "I met him for the first time at KJ Yesudas’ bungalow in Chennai, way back in 1985," recalls playback singer G Venugopal. "He was sitting on a wheelchair. I was told that his name was Raju. KJ Yesudas, his close friend, had brought him to Chennai for brain surgery."[4] "I will never forget the evening director and script-writer Ranjith took me along to meet Raju," says director Jayaraj. "When I went there, a ghazal programme was going on; I could sense music everywhere in that house. I could also feel the extraordinary warmth of the man. I was surprised he could take life so lightly, despite being bed-ridden for about two decades. We became very good friends. Ranjith had told me that he was planning to make a film on Raju (Devasuram). I believe that is the best work by Ranjith till date. Raju used to joke that Ranjith ha
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