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Added on: 2020-09-28 11:22:08 Total Views: 1,463
Description: Video details - ol1E3E0g4LY: Sitaron Se Aage, 1958 Director: Satyen Bose Music: S.D. Burman Lyrics: Majrooh Sultanpuri Choreography: Hiralal, Surya Kumar Playback: Lata Mangeshkar, Mohammad Rafi, Asha Bhosle, Geeta Dutt, Manna Dey Cast: Ashok Kumar, Vyjayanthimala, Johnny Walker, Rajasulochana, Shammi, Jagdish Sethi, Manmohan Krishna, Leela Mishra No translation, sorry. Here's the Cineplot review of the film: “Even if there is a story, a film must ultimately be a musical extravaganza.” That is the keynote of the Hindi films produced in Madras and “Sitaron Se Aagey” is no exception. But, while many such films present no excuse for dragging song and dance into the story, the makers of this film at least had the grace to do so. The film has for its background a theater which provides an excellent opportunity to introduce Vyjayanthimala’s dances and S. D. Burman’s songs. However, it is quite a third person who steals the picture from so formidable a duo. It is Ashok Kumar who plays the pivotal role. The main drawback of this lavish production, apart from the fact that it is reminiscent of “A Star Is Born” and “Pygmalion,” is that it has suffered from the “re-writing.” The unknown actress and the actor-director who shapes her into a star seem to drift apart for very flimsy reasons. A conflict is supposed to develop between them, but-it is ill-defined. The direction, despite a poor script, is commendable for its restraint. The emphasis throughout is on subtlety of suggestion rather than on melodramatic situations. The development of the theme is rather uneven, perhaps because of the plethora of songs and dances, at least two of which are quite out of place. The music score is also not up to S. D. Burman’s usual standard, though one or two songs may possibly become popular. “Sitaron Se Aagey” is Ashok Kumar’s film throughout. His restraint of movement and gesture and his perfect timing proclaim him the matchless artist. Vyjayanthimala’s persistent use of the few stock tricks in her bag tires one, but her dancing is a real treat. Jagdish Sethi and Manmohan Krishna are commendable, Kundan is fairly good as the publicist he is supposed to portray, and Krishnakant does nothing to justify his appearance in the film. Iftekhar brings realism to the role of the bad actor. However, Johnny Walker, in the kind of role he has played countless times, still makes the audience roar with laughter.
